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By this point in time, 50 Cent's fame overshadowed his music, thereby predicating "street" credibility issues that would haunt him in the years to follow. For instance, the marketing rollout of The Massacre carried over into ventures such as the video game 50 Cent: Bulletproof, the semi-autobiographical film Get Rich or Die Tryin', and the soundtrack to that film -- all released in 2005, along with other product. The fallout from 50 Cent's overexposure was evident via the singles from the film soundtrack ("Hustler's Ambition," "Window Shopper," "Best Friend," "Have a Party"), which failed to gain much traction in the marketplace, charting modestly relative to past singles. The next round of G-Unit solo releases (Tony Yayo's Thoughts of a Predicate Felon, 2005; Mobb Deep's Blood Money, 2005; Lloyd Banks' Rotten Apple, 2006; Young Buck's Buck the World, 2007) didn't perform commercially well, either, and it's wasn't entirely surprising when plans for another, Olivia's Behind Closed Doors, were shelved. The grim outlook didn't bode well for 50 Cent's next album, which was pushed back repeatedly and retitled a couple times. The final title, Curtis, was inspired by yet another feud, this one with Cam'ron, who taunted 50 Cent, somewhat oddly, by addressing him by his born name. After a pair of lead singles, "Straight to the Bank" and "Amusement Park," failed to connect in the marketplace, Curtis was reworked one last time and pushed back from a summer release date to a fall one (i.e., the memorable date September 11, which -- to the glee of industry observers -- pitted the album against Kanye West's Graduation). A second round of singles, "I Get Money" and "Ayo Technology," was released in the latter half of the summer, while the video for a fifth single, "Follow My Lead," was leaked to the Internet -- to the frustration of 50 Cent, who reportedly cursed out Interscope for endangering the commercial prospects of his album -- over a month before street date. ~ Jason Birchmeier, All Music Guide
More than any other single artist, Britney Spears was the driving force behind the return of teen pop in the late '90s. The blockbuster success of the Spice Girls and Backstreet Boys certainly paved the way for her own commercial breakthrough, but Spears didn't just become a star -- she was a bona fide pop phenomenon. Not only did she sell millions of records, she was a media fixture regardless of what she was (or wasn't) doing; among female singers of the era (many of whom followed in her footsteps), her celebrity star power was rivaled only by Jennifer Lopez. From the outset, Spears' sex appeal was an important part of her image. The video for her debut single, "...Baby One More Time," outfitted her in full Catholic-school regalia and sent her well on the way to becoming an international sex symbol. Yet Spears' handlers seemed to be trying to have it both ways -- there was a definite tension between the wholesome innocence Spears tried to project for her female audience, and the titillating sexuality that enticed so many male fans. Those marketing tactics made Spears a somewhat controversial figure, the subject of endless debates concerning appropriate role models for teenage girls. Early on, Spears tried to defuse the controversy by preaching abstinence until marriage, and even denied that she was consciously cultivating such a sexualized image. Of course, the more provocative and revealing her on-stage wardrobe became, the less plausible that claim seemed. But apart from her ability to tiptoe the line between virginal coquette and brazen tart, Spears had a secret weapon in Swedish pop mastermind Max Martin, who had a hand in the vast majority of her hits as a writer and/or producer. With Martin crafting the sort of contemporary dance-pop and sentimental ballads that made stars of the Backstreet Boys, Spears kept on delivering the goods commercially, as her first three albums all topped the charts.
Des Rochers Backyard Pools :It only made Rose seem more out of touch from reality when he would hold the band up from going on-stage, resulting in ridiculous multi-hour delays. His public image took a few more shots when several concerts were marred by audience riots caused by Rose's notorious hijinks and when he tried to pick a fight with Nirvana leader Kurt Cobain backstage at the 1992 MTV Video Music Awards for disparaging (yet quite on the mark) remarks Cobain made about Rose in the press. When the tour finally ground to a halt in 1993, GNR issued a lukewarmly received collection of covers, The Spaghetti Incident?, and took a well-deserved rest. But after numerous aborted writing/recording sessions for their third proper studio album, the remaining other two original members (Slash and McKagan) either quit the band or were dismissed by Rose. Rose had been granted full ownership of the name Guns N' Roses, so he slowly formed a whole new band around himself.
Like Spears (who Timberlake became romantically involved with), Aguilera, and *NSYNC's JC Chasez, Timberlake got his start on the Disney Channel's '90s version of The Mickey Mouse Club. Timberlake and Chasez were on The Mickey Mouse Club simultaneously in their pre-*NSYNC days, and they kept working together when *NSYNC was formed. *NSYNC got started in Orlando, FL, in 1996, when Timberlake and Chasez teamed up with Lance Bass, Chris Kirkpatrick, and Joey Fatone. Released by RCA/BMG in 1998, the vocal quintet's self-titled debut album sold millions of copies in both the United States and Europe and contained the smash hits "I Want You Back" and "Tearing Up My Heart." *NSYNC's second album, No Strings Attached, was released on Jive in 2000 and was even more commercially successful; No Strings Attached went double platinum in only one week, and the singles "Bye Bye Bye" and "This I Promise You" became major hits.
After a triumphant gig at Spot 9, Denmark's answer to South By Southwest, interest in the band heated up. At the festival, held in the spring of 2003, the group scored a prime timeslot that found it taking the stage just moments after one of the most well known artists ended her set nearby. "The mainstream, known acts had just played their last chord, and we started playing just after that, and people just turned around instead of walking out, and saw us," notes Christensen.
Their rep was further bolstered when they scored another key timeslot, at the annual Roskilde Festival. Two days before the actual festival kicked off, the band played the only stage open at the time to 2,000-3,000 early comers. Record deals and offers from various industry types began streaming in afterward.
DesRochers Backyard Pools : With his distinctive vocals and blue-collar songwriting skills, Canadian icon Bryan Adams' take on rock 'n' roll basics found a niche that has lasted for over 20 years. Adams solo career was launched with the release of his self-titled debut album Bryan Adams in February of 1980 on A&M Records. Adams had already been touring, recording demos and working as a studio musician paying his rent for a few years, but it was when Adams formed a song-writing partnership with drummer Jim Vallance that things started to happen. The first album was not initially released in the U.S. (although "Hiding from Love" was issued as a single and reached No. 43 on the dance chart), so Adams assembled a backup band and embarked on his first Canadian tour as a solo act, spending four months playing clubs and colleges. The tour was to be the foundation for his second album, You Want It, You Got It, which was recorded in NYC in two weeks and released in the spring of 1981. The original album title was Bryan Adams Hasn't Heard Of You Either but that title was rejected by A&M as being too provocative. This 2nd album became Adams' first ‘official' release in the U.S. He toured America for six months, opening for the Kinks and Foreigner and by January of 1982 the album broke into the Billboard charts peaking at No. 118 in 13 weeks. The single "Lonely Nights" became his first Hot 100 entry at No. 84 and peaked at No. 3 on the mainstream rock chart. His third album, Cuts Like a Knife was released in January of 1983, with the single "Straight from the Heart", leading the way. It broke his career open, peaking in the Top Ten of the Hot 100 and setting up the LP, which followed. The album also reached Top Ten, selling platinum and spawning further Top 40 hits with the title song and "This Time". The album's success was stimulated by Adams' extensive touring in support of it, which began in Canada and continued into the U.S., where he opened for Journey. From there he toured Europe followed by dates in Japan and then back to Canada. Adams' fourth album Reckless was released on his 25th birthday, November 5, 1984, and was preceded by the single "Run to You", which reached the Top Ten. It was followed by no less than five Top 20 singles drawn from the album: "Somebody", "Heaven" (which hit number one), "Summer of '69" (Top Ten), "One Night Love Affair", and a duet with Tina Turner, "It's Only Love". Reckless reached No. 1 in the U.S. selling five million copies in America and a reported three million more in the rest of the world.
Adams also earned his first two Grammy nominations, Best Male Rock Performance for the album as a whole, and Best Rock Performance by a Duo or Group for "It's Only Love". As per usual, Adams toured extensively in support of it. His "World Wide in '85" tour began in December of 1984 finally wrapping in November 1985. One of the highlights that year included being the first artist to open the American side of the Live Aid concert from Philadelphia on July 13th. Into the Fire, followed in March of 1987, prefaced by the single "Heat of the Night," which became Adams' fifth Top Ten hit in the U.S. The album reached the Top Ten in the U.S. and sold a million copies, with another million sold overseas. It also spawned the Top 40 hits "Hearts on Fire" and "Victim of Love". Adams' worldwide tour in support of the album went on for more than a year. One of the final shows, in Werchter, Belgium, was filmed for a television special, "Bryan Adams: Live in Belgium", broadcast in Canada the following year. Live! Live! Live! a concert album drawn from the 1988 Belgium show, was initially released only in Japan but later garnered a wider audience. In a departure from earlier years, Adams did not tour extensively but opted to spend his time in England with writer/producer Robert John "Mutt" Lange, preparing for his next album. In June of 1991, Adams went back on the road in Europe co-headlining with ZZ Top. This coincided with the release of the single "(Everything I Do) I Do It for You" which topped the U.S. charts for seven weeks - the longest any song had remained at No. 1 in eight years. Its international success was even greater; spending 16 weeks at No. 1 in the U.K., making it the longest-running chart-topper in the history of the British charts. Waking Up the Neighbours was released in September of 1991, and Adams once again hit the road – this time until July of 1993. The album featured two Top Ten hits "Can't Stop This Thing We Started" and of course, "(Everything I Do) I Do It for You". Before it finished running its course there would be three more Top 40 hits, "There Will Never Be Another Tonight", "Do I Have to Say the Words?" and "Thought I'd Died and Gone to Heaven". Waking Up the Neighbours sold four million copies in the U.S. and another six million in the rest of the world. It also earned Adams a Grammy nomination and his first Academy Award nomination. Adams began to look forward to his next studio album, but in the interim released a hits compilation, So Far So Good, in November 1993 featuring the single "Please Forgive Me," a new Adams/Lange track. The song would also find its way into the Top Ten. Then came the Adams' theme song for the movie The Three Musketeers, "All for Love", recorded with Rod Stewart and Sting, which hit No. 1 in the U.S. in January of 1994. That same month, Adams embarked on an ambitious tour of the Far East, including countries like Vietnam that were rarely visited by Western pop artists. Throughout the better part of 1994, Bryan kept a low profile with the exception of a song called "Rock Steady" written for Bonnie Raitt's live album Road Tested. He performed the song as a duet with her, and the two soon shared a chart single.
Backyard Pools His first solo effort, Can't Regret What You Can't Remember is slated for release in late 2005. On the album, Moody will be joined by Marty O'Brien (bassist, Methods of Mayhem), Lance Garvin (drummer, Living Sacrifice), studio guitarist Michael "Fish" Herring, and Jason Miller (Godhead), who sings lead on a few of the album's tracks.
DesRochers Backyard Pools Like Spears (who Timberlake became romantically involved with), Aguilera, and *NSYNC's JC Chasez, Timberlake got his start on the Disney Channel's '90s version of The Mickey Mouse Club. Timberlake and Chasez were on The Mickey Mouse Club simultaneously in their pre-*NSYNC days, and they kept working together when *NSYNC was formed. *NSYNC got started in Orlando, FL, in 1996, when Timberlake and Chasez teamed up with Lance Bass, Chris Kirkpatrick, and Joey Fatone. Released by RCA/BMG in 1998, the vocal quintet's self-titled debut album sold millions of copies in both the United States and Europe and contained the smash hits "I Want You Back" and "Tearing Up My Heart." *NSYNC's second album, No Strings Attached, was released on Jive in 2000 and was even more commercially successful; No Strings Attached went double platinum in only one week, and the singles "Bye Bye Bye" and "This I Promise You" became major hits.
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